Part of Jewison's success comes through the control of tone. She has a home and a husband and a family and an identity, and isn't needy the way he is. But: "I can't go home with you," she says, "because I know who I am." And we know what she means. He is a professor named Perry, played by John Mahoney in a pitch-perfect performance as a man who knows it is futile to chase his young students, but doesn't know what else to do.Īs they talk about life, as he walks her home under the moon, there is the clear possibility that love could bloom between them, if not in this universe then in another one. On that night, Rose dines alone at the corner Italian restaurant and watches as a middle-aged man gets a glass of water thrown in his face by a young girl who walks out. One of his best sequences takes place on the night when Ronny and Loretta go to the opera-and Cosmo and Mona are also there, which is another story. Jewison, working from Shanley's original and inspired screenplay, is a master at telling the parallel stories of his large cast. It costs money because it saves money." She listens adoringly.
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Loretta's aunt Rita ( Julie Bovasso) and her husband Raymond ( Louis Guss) have a moment of heartbreaking tenderness, when he stands at the window to look in wonder at the full moon, and she says, "You know, in that light, with that expression on your face, you look about 25 years old."Īnd Rose and Cosmo are in love, too, despite everything-even despite Cosmo's secret girlfriend Mona ( Anita Gillette), to whom he recounts his sales pitch to a plumbing client: "There's copper, which is the only pipe I use. Ronny and Loretta are the thirtysomething couple who represent this film's version of young love, but there is love, too, between two older couples. Jewison assembled a large cast, flawlessly chosen from character actors who are all given important scenes and speeches, so that at the end, the big emotional climax involves so many people it has to be held around the kitchen table. There were nominations for best picture, best director, and Vincent Gardenia for his performance as Cosmo. Oscars went also to Olympia Dukakis as Rose, and to the screenplay by John Patrick Shanley. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and die." And then, she having gone through the motions of resistance: "Now I want you to come upstairs with me and get in my bed!"
Who else could bring such desperation to his speech when he declares his love? "Love don't make things nice. In a career of playing goofballs, Cage has never surpassed his Ronny Cammareri. But after he takes her to the bed, everything changes, and Johnny ( Danny Aiello), who is in Sicily at the bedside of his dying mother, is in for a shock when he returns to Brooklyn. Johnny's bride-to-be is in fact Loretta, who has come to the bakery to persuade Ronny to attend their wedding. Holding his wooden hand in the air and pointing to it dramatically, he cries: "I want my hand! I want my bride! Johnny has his hand! Johnny has his bride!" One day Johnny distracted him at the bakery, he says, and his hand got caught in the bread-slicer. The soundtrack is equal parts "La Boheme" and Dean Martin, and Ronny Cammareri's feelings are like those of an operatic hero, larger than life and more dramatic, as when he tells Loretta why he hates his brother Johnny. It exists in a Brooklyn that has never existed, a Brooklyn where the full moon makes the night like day and drives people crazy with amore, when the moon-a hits their eyes like a big-a pizza pie. Not content with one romance, it involves five or six, depending on how you count, and conceding that some characters are involved in more than one. "Moonstruck" is a romantic comedy founded on emotional abandon and poignant truth. Later that night, when Cosmo sneaks in late, she nails him in the hallway: "I just want you to know that no matter what you do, you're still gonna die! Just like everyone else!" He looks at her with the eyes of a man who has been long married to this woman, and replies, "Thank you, Rose."
Maybe it's because they fear death, he says. When Rose Castorini, Loretta's mother, discovers that her husband Cosmo is cheating on her, she asks her daughter's fiance Johnny why men cheat.
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